Box 1
Container
Contains 26 Results:
Thatcher Opera House, Logan, Utah, undated
File — Box: 1, Folder: 11
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated
Hanks Hotel, Logan, Utah (5 pieces), undated
File — Box: 1, Folder: 12
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated
Salt Lake Theatre, Salt Lake City, Utah, statements, undated
File — Box: 1, Folder: 13
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated
ivoli Opera House, San Francisco, California, undated
File — Box: 1, Folder: 14
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated
Arthur W. Tams Music, New York City, undated
File — Box: 1, Folder: 15
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated
Inter Mountain Theatrical Circuit, Denver, Colorado, undated
File — Box: 1, Folder: 16
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated
Goldstein and Company Costumers, San Francisco, California, undated
File — Box: 1, Folder: 17
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated
Salt Lake Costuming House, Salt Lake City, Utah, undated
File — Box: 1, Folder: 18
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated
Samuel French, New York City, undated
File — Box: 1, Folder: 19
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated
Whitmark Music Library New York City, undated
File — Box: 1, Folder: 20
Scope and Contents
From the Collection:
Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates:
undated