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Box 1

 Container

Contains 26 Results:

Whitmark Music Library New York City, undated

 File — Box: 1, Folder: 21
Scope and Contents From the Collection: Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates: undated

Whitmark Music Library New York City, undated

 File — Box: 1, Folder: 22
Scope and Contents From the Collection: Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates: undated

Whitmark Music Library New York City, undated

 File — Box: 1, Folder: 23
Scope and Contents From the Collection: Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates: undated

T.J. McLaughlin, Park City, Utah, undated

 File — Box: 1, Folder: 24
Scope and Contents From the Collection: Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates: undated

Schalchi Tour, New York City, undated

 File — Box: 1, Folder: 25
Scope and Contents From the Collection: Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates: undated

Letters from prospective cast members and miscellaneous, undated

 File — Box: 1, Folder: 26
Scope and Contents From the Collection: Letters received by Horace G. Whitney (1857-1921), manager of the Salt Lake Opera Company between 1897 and 1906 from costumers, music companies, actors and theatres in Utah, Idaho and Wyoming. The letters reveal the complicated logistics (securing permissions, booking a theatre, agreeing on the division profits, costumes, props, the orchestra, etc.) Of taking an opera on the road at the turn-of-the-century. Roughly half of the letters were written by managers of theatres in Evanston, Rock...
Dates: undated